International Performers

Eileen Ivers & Immigrant Soul

Eileen Ivers & Immigrant Soul, Nine Time All-Ireland Fiddle Champion, London Symphony Orchestra, National Symphony at The Kennedy Center, Boston Pops, musical star of Riverdance, The Chieftains, Hall and Oates, Afrocelts, Patti Smith, Paula Cole, founding member of Cherish the Ladies, performed for Presidents and Royalty worldwide …this is a short list of accomplishments, headliners, tours and affiliations. Fiddler Eileen Ivers has established herself as the pre-eminent exponent of the Irish fiddle in the world today.

It is a rare and select grade of spectacular artists whose work is so boldly imaginative and clearly virtuosic that it alters the medium. It has been said that the task of respectfully exploring the traditions and progression of the Celtic fiddle is quite literally on Eileen Ivers' shoulders.

She's been called a "sensation" by Billboard magazine and "the Jimi Hendrix of the violin" by The New York Times. "She electrifies the crowd with a dazzling show of virtuoso playing" says The Irish Times. Ivers' recording credits include over 80 contemporary and traditional albums and numerous movie scores.

The daughter of Irish immigrants, Eileen Ivers grew up in the culturally diverse neighborhood of the Bronx, New York. Rooted in Irish traditional music since the age of eight, Eileen proceeded to win nine All-Ireland fiddle championships, a tenth on tenor banjo and over 30 championship medals, making her one of the most awarded persons ever to compete in these prestigious competitions.

In 1999 Eileen established a touring production to present the music which now encompasses Eileen Ivers & Immigrant Soul. This mix of African and Latin percussion and bass, Irish instrumentalists, and American soulful vocals headlines major performing arts centers, guest stars with numerous symphonies, performs at major festivals worldwide and has appeared on national and international television.

The Makem Brothers

After more than 13 years, the Makem Brothers have spun into a musical cocoon and emerged as the powerhouse Irish vocal group of their generation. The Makem Brothers know Irish music almost inherently. They grew up at sing-songs and sessions frequented by some of Ireland’s best known and prolific singers and musicians. As professional entertainers since 1989, they have had the unique opportunity to study first hand from many of the best acts in Irish music today.

They have played before millions of people on both sides of the Atlantic, including national slots on American public television and Irish talk shows. From California to Ireland and from Texas to Canada, the list of stages on which they have performed is equally impressive and includes Symphony Space in New York City, the World Cup and the Guinness Fleadh.

Shane, Conor and Rory Makem represent the third generation in their legendary family of Irish-born singers. Their grandmother Sarah Makem was a source singer and was visited by folk music collectors from all over the world such as Pete Seeger, Diane Hamilton and Jean Ritchie for her great store of old Irish songs. Their father, Tommy Makem first came to world prominence with the Clancy Brothers in the 1960s. Together the Clancy Brothers and Tommy Makem gave Irish music a popularity it had never seen, bringing it from Carnegie Hall to the Ed Sullivan Show.

Aoife Clancy

Aoife Clancy (pronounced "Eefa") brings a refreshing new voice to folk music, one that ranges from traditional Irish songs to ballads and contemporary folk. Aoife comes from the small town of Carrick-on-Suir, in Co Tipperary, Ireland, where her musical career began at an early age. Her father Bobby Clancy of the legendary Clancy Brothers, placed a guitar in her hands at age ten, and by age fourteen was playing with her father in nearby pubs.

She later moved to Dublin, where she studied drama at the Gaiety School of Acting. After a season at the Gaiety, Aoife was invited to do a tour of Australia. There she performed at festivals and concerts sharing the stage with some of Ireland's greatest performers, including Christy Moore and the Furey Brothers. Her performances also include a Caribbean cruises with the Clancy Brothers, the Milwaukee Irish Festival, the North Texas Irish Festival and a seven week tour of the United States with the renowned Paddy Noonan Show.

Now with seven recordings under her belt in the last decade, Aoife has clearly established herself as one of the Divas of Irish and contemporary Folk Music. On Aoife's second Rego solo album, "Soldiers and Dreams," Al Riess, from Dirty Linen magazine, wrote: "Solders and Dreams has a contemporary-meets-traditional-music feel and Clancy's smooth, expressive singing works both ways- ensuring a successful merger of the two approaches and an enjoyable listening pleasure".

Robbie O'Connell

Robbie O'Connell was born in Waterford, Ireland and grew up in Carrick-on-Suir, County Tipperary, where his parents had a small hotel. He began to play guitar and sing at age thirteen and soon became a regular performer at the hotel’s weekly folk concerts. He spent a year touring the folk clubs in England before enrolling at University College Dublin where he studied Literature and Philosophy. During school vacations Robbie worked as an Irish entertainer in the U.S.A. and in 1977, he joined the Clancy Brothers with whom he has recorded 3 albums. Two years later he moved to Franklin, Massachusetts.

With the release, in 1982, of his first solo album, Close to the Bone, Robbie emerged as an artist of major stature. Soon after, he began touring extensively with Mick Moloney and Jimmy Keane, and also with Eileen Ivers and Seamus Egan in the Green Fields of America. In 1985, the trio's first album, There Were Roses, was released. In 1987, the trio followed up their very successful first release with the album, Kilkelly, the title track of which was voted "Best Album Track of the Year" in Ireland.

Robbie has taught songwriting at the Augusta Heritage Arts Workshop in Elkins, West Virginia, Gaelic Roots Week at Boston College and at the Summer Acoustic Music Week in Boston. His album of original compositions, Love of the Land, was voted the #1 acoustic album of 1989 by WUMB in Boston. In 1991, he won a prestigious Boston Music Award as Outstanding Celtic Act and was also featured in the highly acclaimed TV series "Bringing It All Back Home." In 1992 he performed at Carnegie Hall with the Clancy Brothers and was also seen by an estimated 500 million people worldwide on the telecast of a live tribute to Bob Dylan at Madison Square Garden, a performance which Rolling Stone magazine described as "breathtaking.”

John Williams and Dean Magraw

It is rare to find pure creativity and extraordinary musical talent in one performer, but when two are combined, the possibilities are endless. John Williams, an award-winning concertina, flute, and button box player, and Dean Magraw, an adventurous guitar master, combine their diverse talents and styles for an unbeatable concert. Williams and Magraw first joined forces ten years ago when they were invited on stage at The Cedar Cultural Center by fiddler Martin Hayes to improvise an encore of Irish jigs and reels. The resulting confluence of these three giants sparked an immediate electricity which opened the door to John and Dean's fruitful and enduring collaboration. Although both musicians are active on many musical fronts, they are continually surprised by the inspiration which ignites when they come together. Steeped in the love of traditional Irish music (and its Celtic relatives in other lands), John Williams and Dean Magraw bring a solid foundation of melodic integrity to the stage.

Dean performed for two of John Williams' recent recordings to great critical acclaim, and the two are preparing to release their most recent duo recording this fall entitled Raven. The album is a traditionally innovative collection of chestnuts and road tested originals which soars from driven dance tune adventures to dark haunted airs.

Ed Miller, Rich Brotherton and John Taylor

Ed Miller is one of the finest singers to emerge from the Scottish folk revival, a guitar-wielding folkie who wins his audiences over with a sweet but powerful voice, a great ear for material, and equal doses of populist politics and wry humor. He learned his craft in the sessions, clubs, and festivals of the folk revival, both in Scotland and the United States. Ed is the host of a folk music program on Austin's NPR station, KUT-FM. He is a performer who has learned his craft in musical venues on both sides of the Atlantic, and a folklorist who brings his love of Scotland to every performance.

Ed is well known in the Dallas area, and has earned a well deserved reputation as the "Token Scot" at the NTIF.

Ed will be accompanied by guitarist Rich Brotherton and fiddler John Taylor.

bohola

bohola, a band forged in Chicago by three of Irish Music’s most innovative musicians, Jimmy Keane, Sean Cleland and Pat Broaders, play a driving, muscular, and yet emotive style of Irish Music with deep roots in the “pure drop” tradition, melded with the raw and gritty urbanized musical vernacular of the Irish-American experience. With each regarded as the tops in his field, this combination provides a powerful, rich and distinctive sound that is coupled with a dynamic and energetic presence - the sum of which is bohola.

Each musician has an extensive background in Traditional Irish Music, learning at the hands of some of the finest exponents of Traditional Irish Music in Chicago and Ireland. Jimmy Keane (accordion), born in London of Irish-speaking parents, immigrated to Chicago from Ireland with his family in the early 1960’s. His late father James, was a sean-nos (old style) singer who actively encouraged Jimmy to take up traditional music. In his early teens he began playing music with his Chicago contemporaries, fiddler Liz Carroll, and flute-player and stepdancer, Michael Flatley.

Sean Cleland (fiddle), born in Milwaukee of Irish-American parents was raised in Chicago. He began studying classical music at the age of seven and briefly studied with fiddler Liz Carroll in the 1970’s. Sean has won numerous Midwest and North American Fleadh Cheoil’s Titles on the fiddle.

Pat Broaders (dordan, vocals), was born in Dublin of parents from County Wexford, Ireland and immigrated to the United States in the early 1990’s settling in Chicago. Pat began studying Irish Music at the age of twelve and studied bouzouki briefly with Bothy Band co-founder Donal Lunny. While in Ireland, Pat began singing and performing with a series of groups including In Tua Nua, Cry Before Dawn, and An Beal Bocht, who toured with The Chieftains.

Brother

From the soaring highs of the bagpipes to the deep pulse of the Australian didgeridoo, two Aussie siblings, Hamish and Angus Richardson, have defied convention and proudly invented "mongrel music".

BROTHER first-timers often approach the band, put a fist to their chest and say: 'I really felt it here'. Nothing defines our music better than that. If you're a performing musician - or any kind of artist - who could ask for a better reaction than that? We get some out-there descriptions of the music: ‘imagine U2 with didges..’; ‘Beck meets early Peter Gabriel’; ‘the bastard sons of Crowded House and Midnight Oil’ so we know we’re getting it right if that’s the kind of reaction our sound is getting.

“Go out and get hit over the head with this music as soon as possible. There's just nothing else like it. It's not every day that your front men both pull out bagpipes instead of guitars and cover the solo parts in an amazingly harmonized duel. From sampled loops to ancestral pipes, shredding guitar to sobbing cello, everything comes together in a perfectly balanced sonic tapestry.” Live Magazine, December 2003

Jed Marum

Jed Marum is an established and a favored performer at Celtic festivals and concert rooms throughout the U.S. In 2005, he performed over 150 shows, bringing his stories of Irish culture and the American immigration experience to audiences in over fifty cities in a dozen states. All four of Jed's albums receive international radio airplay regularly - on Celtic and Bluegrass radio shows - on web cast programs - and on MP3 services all around the world. His latest album, “MILES FROM HOME”, with guest players Brian McNeill, Paul Mills and Tom Leighton, was among the Most Played Albums of the Folk/Celtic DJ Playlist for four months in 2005. Jed is known as a gifted singer and an exceptional guitar player. He is an accomplished banjo and harmonica player as well and brings some fascinating new sounds to the stage with unusual hybrid instruments like the hi-strung backpacker and the banjola. Widely respected as a songwriter, Jed has licensed several of his original songs for use by other recording artists, movies and television.

Beth Patterson & Kalafka

Multi-instrumentalist Beth Patterson is foremost a player of the eight - and ten - stringed Irish bouzoukis (adaptations of a traditional Greek instrument). This native of Lafayette, Louisiana began her professional musical career in her early teens as a classical oboist and a Cajun bass player (with the required teenage heavy metal stint on the side), but not truly belonging to any of these, set out to create her own niche. She now integrates into her style her experiences of playing Celtic, Cajun, rock, jazz, blues, country, gospel, classical, Latin, and folk music. She has played in eleven countries throughout the Americas and Europe, and maintains an active gigging schedule in her home base of New Orleans. She spent a year studying traditional Irish music and ethnomusicology at University College, Cork in Ireland, where she first studied the music of West Africa, India, Indonesia, and the Caribbean, and began to experiment with fusions of these musical genres and her previous influences. With Kalafka, she integrates alternative pop with Irish music and other ethnic styles, such as Cajun, Latin, Mediterranean, and African, to name but a few. Her music has gained critical acclaim in the United States and Europe, and has appeared on National Public Radio and PBS. Her stage presence has been described by viewers as "a cross between a cobra and a puppy" and "innocent savagery."